(Source: emokitty1994)

(Source: l-sarfati)

odditybloggity:

This is how advertising works.

(Source: differentplanet)

This scene is meant to be a very sensual and a very powerful image between two women [whether or not there as to be a relationship]. And we hadn’t, at this point, decided how far the relationship would go. But we wanted this to be a moment that was very physical and very empowering and very beautiful between them. And it set off some fireworks. It also moved the drink machine. It’s a very empowering statement about love, how two people together can accomplish more than when they’re alone, a great deal more. Looking back now, knowing everything we’ve done since seems there’s no other way we could’ve gone with it, it really is one of the most romantic images we’ve put on film.
-Joss Whedon, Hush Commentary 

(Source: gladyswitham)

Robin Scherbatsky | “Nobody asked you, Patrice!”

(Source: butterprim)

(Source: lea-sarfatiagron)

KP It Never Happened But It Should’ve

The red curtains are a somewhat more literal image again of comfort and safety.  The place where she feels safe, where she finds Tara. Between the folds, the red folds of the curtain.  I’m not going to explain anymore because children might listen to this, but I was being kind of vaguely literal and sexual there.  At the same time the idea that there is this space where there shouldn’t be a space right next to where all this bustle is going on, to me, is extraordinarily dream-like. 

requested by winterparadox

(Source: fuckyeawillowandtara)

summersblood:

It’s just us.